In this exclusive SoundWorks Collection profile we talk with visionary Director Joe Kosinski about the sound and music of his new film “Oblivion”. Also featured are Kosinski’s behind-the-scenes collaborators include Composer Joseph Trapanese, M83′s Anthony Gonzalez, and Re-recording Mixer Gary Rizzo, and Re-recording Mixer Juan Peralta.
The mighty Joseph Kosinski invited Munkowitz to the GFX party once again, this time for his spring blockbuster feature film OBLIVION™… Predictably, the list of graphic assets to be created was obscene, so munko assembled and led another super team of GFX mercenaries and descended into the lovely confines of Crater Lake Productions to generate the aforementioned fuckload of graphic content… Working with Joseph always brings out the best in Munk and Company, and this time around was certainly no exception… OBLIVION © Universal Pictures, Inc. All Rights Reserved.
A small selection of clips captured on a 3 day shoot in Montana using the brand new CineStar with MōVI MR Gimbal. This system allows for up to 100mm focal length lenses to be used on a remote helicopter for the first time ever. The system is an all digital stabilized flight head that allows for shots that were previously impossible from a small remote helicopter.
Of course we can f***ing modulate this.
This documentary for the UK’s Open University was made in 1987 when CGI was in its infancy. It starts by looking at how a dream sequence was realised in Star Trek IV: The Voyage Home.
See part 2 here
This is a collection of graphics experiments made in sync with audio.
All the pieces are made for mtv france hd launch.
Music: “Toothpaste” by Igorrr, taken from the “Hallelujah” album (Ad Noiseam adn165)
The Butterfly Effect is a short CG animated film Passion Pictures has made in partnership with Unity, the games engine developers using the new Unity 4.0 3D software.